Text: No
muscles, no tattoos
Authors: Alice
Twemlow and Jop Van Bennekon for Eye Magazine 61:16 (published in 2006)
This text was wrote by Alice Twemlow, who is
the founding chair of the SVA MFA Design Criticism and SVA MA Design Research,
Writing & Criticism programs. She also often moderates and lectures at
conferences and seminars. The article was first published at Eye Magazine, no.
61 vl.16, in 2006. Eye Magazine is a graphic design journal published quaternary
for professional designer, design students or design enthusiastic.
Jop Van Bennekon (Image: http://thisisaerodrome.com/wp-content/uploads/2015/07/jop-vanbennekom-hero.jpg)
The text talks about Jop Van Bennekon, who is
an art director, editor and designer responsible for important publications, such
as Butt magazine, the Fantastic Man, The Gentlewoman and Re-Magazine. Van
Bennekon knew that working with alternative magazines in Amsterdam would be
improbable, unless he started his own publication. Therefore, to ‘sort things
out’ he started a postgraduate at Eyck Academy in Maastricht and from
this experienced, he created and started the Re-Magazine, in 1997.
For Bennekon, one of the negative side-effects of working in a place
with such a rich design culture as the Netherlands is that it can be a little
predictable, and he did not want to live this life of, citing the text, ‘already
know where you will be at the age of 45’. However, it was while he was working
for Blvd magazine that he contacted Gert Jonkers, with whom he co-founded Butt
magazine in 2001.
Gerts Jokers and Jop Van Bennekon (Image: http://assets.itsnicethat.com/system/files/102015/5613f1af7fa44c26d40002fa/images_slice_large/FM-itsnicethat-1.jpg?1444147645)
While growing up Van Bennekon did not have any magazines with which he
could completely connect and feel represented as a gay man and with Butt
magazine he could finally create for true people like Jokers and himself. He wanted
it to be sincere, more realistic, and intimate, present real people in their
real environments. Another important aspect of Butt magazine is that all the ads
in the magazine are designed to fit the magazine itself, which allows the
reading to be interrupted. Van Bennekon remembers that when he first hand draw
the logos of the advertisers to the magazine most of them were not happy and
did not pay for it, however nowadays brands are ‘eager’ to be at Butt. Butt
magazine is now internationally knew and is read for ‘important’ people, such
as Karl Lagerfeld and Tom Ford. For Andrew Sloat, cited in the article, Butt
magazine is important because is about filling the gap of the lack representation.
About Bennekon works he says: ‘Not being
represented means you have to start something yourself that does represent
you,’ he says
Later, Jop Bennekon decided to start investing
in other publications and in 2005 he started the Fantastic Man magazine, that
he created to deconstruct the idea of male models that were normally seen on
fashion magazines. He wanted to have men who would be ‘fucking interesting’.
This was another project born from personal interest, which he used, as he
said, ‘to meet his Heros’.
In 2010 Jop and Gert together with editor Penny
Martin started The Gentlewoman, which is a biannual magazine that celebrates modern
women.
I think this read was very interesting and
inspiring because I could learn about some magazines that I actually knew
before and also because, for me, it talks about how our life background and
personal interests can become large scale projects that speak and represent
many people.
Re- magazine (Image: https://s-media-cache-ak0.pinimg.com/originals/49/76/6d/49766d3f12380b8fb3be9f6caa0339f0.jpg)
Butt magazine (Image: http://www.parismechama.com/wp-content/uploads/2014/10/butt_magazine_compendium_va_gb_3d_04614_1408011104_id_829674.jpg)
The Gentlewoman magazine (Image: http://farm4.staticflickr.com/3793/12663288485_767e2bb4bf_b.jpg)
References:
http://thegentlewoman.co.uk/about
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