Monday, 14 November 2016

15th of November~ Pornostyle: Sexualized Dress and the Fracturing of Feminism

Text: Pornostyle: Sexualized Dress and the Fracturing of Feminism

Author: Pamela Church Gibson


Pamela Church Gibson is Reader in Cultural and Historical Studies at the London College of Fashion, University of the Arts London, founder and principal editor of the journal Film, Fashion and Communication. She has extensively published on fashion, film, fandom, heritage and history.
            In this article, Gibson talks about the body ideal being promoted by so called ‘sexy’ celebrities. She informs us that this new body, as well as the system behind it, knots fashion and pornography together.
Gibson starts explaining that many young women – and it is important to say that there are no male-equivalent for this phenomenon – dress in a ‘sexy’ way, hoping to emulate particular celebrities. She notes that those celebrities being mirrored are not the ones promoted in the high-fashion media as ‘stylish’ icons, instead it refers to ‘sexy’ celebrities – once considered vulgar – but that now dominates the masses and the fashion industry. In this new ‘system’, a curvier and tanned body substitutes the traditionally skinny and elongated fashion model one.
In the text, Gibson points out that the fashion industry have been seduced a few times by what has been called by Lynch (2012) the “porno chic”, which she says is a potent popular concept with interesting commercial value. She mentions the V magazine editorial with Kate Moss and Rihanna, shoot by Mario Testino, as an example. In the photoshoot the models appear very sexual and intimate on a ‘vibrant pink’ background that evokes soft-porn. Gibson mention the popularity of the ‘starlets’ – which can be considered a personification of the ideal body discussed in this article – on the television. She notes that, yet criticised those women are considered celebrities. As a matter of fact they make their own capital and have numerous followers.
The text mentions the popular ‘Kardashians’, in this case Kim Kardashian – which is described is the most famous one. It points out that despite the popularity of ‘sexy’ icons such as Kim, some magazines – like Vogue – would ignore her in order to promote the values and trends of the high-fashion world. This part of the text emphasises that the two different bodies and lifestyles being promoted by the two different systems are dramatically divergent. She cites the case of Victoria Beckham that went through a complete image – body and clothing – transformation when she decided to enter the fashion world as a designer. In order to do that and be accepted she had to match the fashion ideals at place.

Furthermore, the text narrates the conflicts between feminists around the problem of whether women can or cannot have the freedom to dress whatever way they want, including the ones who desire to look ‘sexy’. Gibson explains that this is a discussion that became much more complex recently for it raises questions around class and taste that have become more complicated in ‘the age of celebrity culture’ that ‘challenges the traditional fashion system’.





“For there is a ‘tasteful’ variant of body-conscious dressing, complete with mane of long, glossy hair and tanned limbs, that is now seeping into the upper echelons of society”

The Kardashians (Image: http://www.oxygen.com/sites/nbcuoxygen/files/field_blog_image/2016/01/kardashiansmain.jpg)

Kendal, Kim and Kylie (Image: https://static.independent.co.uk/s3fs-public/thumbnails/image/2014/08/25/09/KardashianSisters.jpg)


“Fecund, pregnant or not, this other, opposed, contemporary ideal is curvaceous in a particular way that is no easier to attain than the overall slimless demanded of the fashion model”


(Image: http://tvseriesfinale.com/wp-content/uploads/2016/03/Season_10_Promo.jpeg)

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In this image you can compare Kim and Kendal's body type with the fashion models. (Image: http://celebmafia.com/wp-content/uploads/2014/07/kim-kardashian-vogue-foundation-gala-paris-fashion-week-july-2014_7.jpg)

(Image: http://www.fashiongonerogue.com/rihanna-and-kate-moss-star-in-the-cover-shoot-of-v-magazine-82/)

Rihanna and Kate Moss for V magazine by Maria Testino. (Image: http://vmagazine.com/article/only-girls-in-the-world/)

I think is safe to say that 'even Vogue', which is presented in the text as a magazine that 'ignores' Kim Kardashian has fallen into hers, and her family's, spell.

Brazilian Vogue. On this edition Kim talks about her collection to the department store C&A (Image: http://www.blackbutterflylifestyle.com/wp-content/uploads/2015/05/Kim-Kardashian-Vogue-Brazil-June-2015-Cover-Shoot01.jpg)

(Image: http://www.correiodopovo.com.br/blogs/correiofeminino/tag/kim-kardashian/)







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